She stood at Pentire and could not get their faces and whispers and body language out of her mind. Old coots. Old owls. Lost without her.
New short fiction from poet, novelist and regular Geometer contributor David Grubb.

Browsing Youtube I just came across this video, which is the perfect complement to Kim’s recent essay in Geometer the grain of the auditory field. The video documents a piece Kim set up in Budapest last year, and it gives…

We’re currently preparing two upcoming issues, one on Short Fiction, and a second on cult British author David Peace, whose Red Riding Quartet and The Damned Utd are both forthcoming as television and film adaptations respectively.
In both cases we welcome submissions of…

Geometer now has a page on Facebook – if you’re on Facebook please sign up at the link below for updates on new articles and events, discussion plus the other handy things that I’m sure we’ll soon work out how to…

Kim Cascone; composer, founder of the .microsound list and an influential voice in modern electronic music discusses ways of hearing and offers new routes away from the stage for contemporary music.

While clearing out all the adverts for porn, prescription drugs and russian mp3 sites that every public website accrues I accidentally deleted a lot of legitimate comments. Apologies if yours was among them – this wasn’t intentional (unless you posted…

Three new poems from Caleb Klaces

Concluding our Art and Politics Issue we have extracts from Adam Burbage’s long poem, Slow Train Coming. Taking as its starting point the build-up to the war in Iraq, the poem seeks by way of cut-up and more conventional means to chart the emotional and intellectual history of the period, a period in which old distinctions between right and left have dissolved, and in which positions are increasingly polarised.